juushika: A black and white photo of an ink pen (Writing)
[personal profile] juushika
Title: The Mysteries
Author: Bill Watterson
Illustrator: John Kascht
Published: Andrews McMeel Publishing, 2023
Rating: 2 of 5
Page Count: 70
Total Page Count: 535,030
Text Number: 1960
Read Because: personal enjoyment, hardback borrowed from the Timberland Regional Library
Review: A picture book for adults, sparse text in black on white set against dark, square, claymation-y illustrations. It's very intentional but almost intentionally unsuccessful, a conflicting aesthetic (fables and caricatures, ominous and satirical) to match a narrative about humanity demystifying its great dangers only to find itself on the brink of extinction. Interesting, sure, if only for the change in tone and aesthetic for Watterson; successful, though... There are panels I love, but I can't see beyond a smugness that, like most doomerism, fails to accurately map to real world mysteries/dangers. There's a line to be drawn from the Enlightenment to climate change, sure! But that line is industrialization and capitalism, not just that the general modern public is cocky and incurious.
juushika: Gif of a Bebe, a tiny doll from the anime Puella Magi Madoka Magica, eating a slice of cheesecake (Bebe)
[personal profile] juushika
Title: The Complete Brambly Hedge
Author: Jill Barklem
Published: HarperCollins Children, 2011 (1980-1994)
Rating: 4 of 5
Page Count: 255
Total Page Count: 534,960
Text Number: 1959-6
Read Because: personal enjoyment, hardback borrowed from the Timberland Regional Library
Review: The lavishly illustrated domestic lives of the mice of Brambly Hedge. With one exception, I've already forgotten every plot; it's mice going through the motions of a conservative ideal of British country living, who cares. The exception is The Secret Staircase, which is The Secret Garden: Indoor Mouse edition, private and mysterious and immensely transporting. But plots be damned; the vibes are off the charts. The art is deliciously detailed, with clutter that overwhelms the border of each image and captivating cutaway interiors that are simultaneously vast and minute. I Spy meets Huygen and Poortvliet's Gnomes. I want to crawl into the pages and live there forever, which is the intent, of course, but succeeds even without the gloss of nostalgia, as I never knew these as a kid.

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